Reading science fiction tales enables individuals with poor grip in English to improve their grammar skills. Talking and writing in broken English is the end result of not understanding how the structure of this English sentence work. Through routine reading, you will learn the appropriate way to write a proper English sentence. You will find sci-fi stories at different reading difficulty levels. You can start in the one with simple reading difficulty level that has shorter length and gradually progress to reading stories with harder reading difficulty that have longer length.
As you browse the science fiction story, you will come across words you don’t know. Every time you locate a difficult term, you should look up the dictionary and find out its meaning. If you didn’t buy a dictionary, then you can use the online dictionary to look up the meaning of this word. You can learn how to pronounce the new word correctly by playing the audio for your pronunciation in the online dictionary. The more science fiction tales you read, the more wide your vocabulary will become.
Well, that depends on the kind of story you’re writing. The period of your narrative will dictate the amount of character information you will have to make them come to life. For simplicity’s sake, I’ve broken my character sheet into what I use for each type of writing. Your character sheets might vary.
Fiction by its very definition is unreal. After we read a novel we know that the story and the characters in it are merely a product of imagination of the writer. When we see a movie we are aware that the characters are just acting their parts essentially pretending to be somebody besides themselves. Still we are mentally affected by the twists and turns in the narrative. We laugh, weep together, and even sense indignant towards the bad men. The adorable hero or heroine may be despicable in actual life and the villain may be a perfect gentleman, but we identify them using all the characters they’re portraying. In essence for that short period we ourselves get hauled into the imaginary world of the author. Oddly enough this happens also with the writer at least to some of these. He or she travels through the same emotions while writing and perhaps later also. Has what you have found added to your previous knowledge? No question, we are just getting going with all that can be known about take a look at the site here. Yes, it is correct that so many find this and other similar subjects to be of fantastic value. Continue reading and you will see what we mean about crucial nuances you need to know about. Try evaluating your own unique requirements which will help you further refine what may be necessary. You will discover the rest of this article adds to the foundation you have built up to this point.
“Knowledge is limited, imagination isn’t.” Albert Einstein explained that even though the wording of the second part might have been different. Einstein like any other human being was not infallible. A number of his views he held right till the ending turned out to be wrong in the subject of physics. In this particular statement he also appears to have it backwards. Knowledge may be limited in the case of someone but generally it is infinite even when we consider just rational understanding leaving apart transcendental. Science in particular has demonstrated this at each step in the course of its own development. Imagination pertains to an individual thoughts and is constrained by several things depending on the circumstances of the person. A mind can imagine only what happens in some way to things already stored inside. Someone who has been outside a remote place in wilderness and has no contact with the world outside cannot envision what metropolitan cities would be like.
Getting back to fiction that the creativity of the author also has to be predicated on his direct or indirect experiences. In this sense fiction relies on fact and to this extent it represents another dimension of reality. Here of course we run to the philosophical difficulty of the precise meaning of reality. There are two diametrically opposite viewpoints – materialistic and spiritualistic. According to the former only things that can be perceived through our perceptions are real, everything else is unreal. The latter asserts that there’s just one ultimate fact from which all that we perceive comes out and what that’s perceived is only an illusion. We look at a statement by Einstein: “Reality is merely an illusion, albeit a persistent one.” He was clearly referring to the reality of the phenomenal world. The term illusion can have different connotations but in general it means perceiving something as different from what it is. So the presence of the thing is a prerequisite for illusion, it isn’t a mental construction. Imagination is purely a mental phenomenon and has nothing to do with whatever actually existent. Thus the relationship between fiction and reality is completely different from that between reality and illusion. It does take some time to write a complete story for any kind of book.
In a philosophical sense that the incredible world itself could be regarded as fiction. That is what Shakespeare perhaps meant when he wrote: “All the world’s a stage, and all women and men merely players”. We might also consider everything in the world (space, time, issue) as gamers because everything has its own entry and exit. We naturally run into the issue of stating what the stage is and who wrote the script. Shakespeare probably believed in God, strict determinism, also at the truth of the world, so he did not have this issue. Now it is usually believed that the world also has a beginning and will have an end. If the world is also a player, are there multiple universes or does this come exclusively on the platform and then introduces other players? However, what’s the point in this case? Quantum physics points to one possibility. At extremely tiny scales of space and time there’s a quantum emptiness that is not really empty but full of energy that is constantly changing itself into virtual particles and back. What remains after the conclusion of the world could possibly be an infinite version of the quantum void filled with energy into which each of the matter has transformed itself. This universal energy is the source of and background for all.
It is not only a philosophical point either. We invest a considerable part of our life in the imagined or fictional world. We muse about the things in future and dwell over the past imagining what might have been. The creativity about the future is based on our hopes and aspirations and to some extent it’s a positive in the sense we’re in a position to mold our future when we sincerely attempt. But musing within the past is a futile exercise because we all know for a fact that ‘what could have been’ is only fantasy that never happened. Still it serves the same function as fiction in the perspective of entertainment. We entertain ourselves by imagining how life could have been, knowing fully well that it has no reality whatsoever. In a metaphorical sense past, at the remote past, is fiction. At a certain sense history is fiction since it invariably includes the subjective bias of the author. What we understand of Buddha and Jesus now is much more fiction than facts.